Ep. 187 Sarah Boston – Painter, Western Artist
Wes and Todd talk with Artist, Sarah Boston. Sarah discusses the various mediums that she works in, portraiture, painting, drawing from a young age, her connection to native culture, Charlie Russell, growing up in an artistic family, the Russell museum, taking art classes with Thomas Blackshear, routine, the A.R. Mitchell museum, the Broadmoor art experience, research and doing her due diligence to be historically accurate in her work, cultural & art appropriation, her family’s roots in Montana, pastels, graphite, the catalyst to becoming a professional artist, the art community of Trinidad, western art, grizzly bears, selling art, galleries, festivals, the Out West Art Show, her upcoming shows, pricing, art sales, curating “Resonance”, her motto, and her favorite Charlie Russell painting…
Ep. 183 Monica Ong - Visual Poet
This week, Wes and Todd talk with visual poet Monica Ong. Monica discusses her early journey with art, getting her MFA from RISD, integrating poetry with her visual art practice, experimentation & play, her first book “Silent Anatomies,” her poem "The Attic," sculptural types of poems, her interest in astronomy, process & evolution of the work, the blurring of boundaries & thinking outside of the box, the importance of connection, design being rooted in the lyric and narrative, her family history and how it influences her work, Buddhism and her practice, routine, balancing family and work, being an example to her son and young people, phases of the making, creating a user experience, insomnia, curiosity & questions, identity, philosophy, her new book “Planetaria,” “The Star Gazer,” asterisms, her poem “Lunar Volvelle,” her micropress “Proxima Vera,” when it’s time to publish a book, being awarded a United States Artists Fellowship, her poem " Jade Insomnia," and the importance of support…
Ep. 173 Ann Morgan – Abstract Painter, Melding the Traditional With Technology
Ann Morgan discusses painting big, technology informing her process, xeroxes, learning to paint at age 13, winning awards in her youth, AmeriCorps VISTA, getting her B.F.A. at Michigan State University, not painting for 20 years, always considering herself an Artist, her “Art Stuff" folder, the catalyst to start painting again, melding the traditional with technology, Artificial Intelligence, RunwayML, painting in oil, Her show at Next Gallery “Once When I Was You,” her process using A.I., painting in the dark, being bendy, A.I. prompts, borrowing imagery, what scares her about A.I., artist statements living in a simulation, pricing social media, art scammers her “Burn Series,” painting environments, and art being unapologetic joy.